#5 - July 7th 2026 - The World Cup

As we speak we are nearing the end stage of the 2026 Football World Cup. Being European and male, one is almost required to take somewhat of an interest in football. Football is woven into European society, particularly in working class communities. The happiness of the people often correlates to whether the local FC was able to win or not. As for me, I have gone through several phases when it comes to caring about this sport. When I was a child my parents let my try out for football, but I hated it. It disappointed my father, a disappointment I'm not sure we have ever recovered from, but eventually I started doing other sports that I enjoyed slightly more. When I was in high school I noticed that being able to talk about football was a prerequisite for belonging, so I did what most insecure teenagers would do. I started watching football on television, learning about the teams and players and before long I actually enjoyed watching the game. There are things genuinely fun about this sport. I enjoyed playing the FIFA games on my Gamecube back in the day a lot as well.
In recent years my interest in football has gradually faded into what it is today. I hardly watch a game anymore unless it is a World Cup event or perhaps a Champions League final. I like to see our Dutch teams perform internationally as well, although more often than not they don't stand a chance against the top teams from England and Spain. I largely do not care for football anymore and the main reason is that the whole game has been ruined by money. A game that is supposed to be rooted in local communities is completely out of touch today. The Champions League has become entertainment for the entire world and the entire world wants to see Liverpool play Real Madrid, not PSV versus FC Kopenhagen. As a result, most of the money flowing into the sport ends up with about 16 teams. As for me, a casual viewer who just wants to support his local Dutch teams, I am completely tuned out.
Another problem is the blatant corruption going on within FIFA. Yesterday they unsuspended an American player because Trump wanted it so. We all knew that FIFA was a corrupt bunch, the World Cup events in Qatar (2022) and Saudi-Arabia (2034) tell you all you need to know, but this is taking things to the next level. The World Cup has already lost a lot of its shine by increasing the amount of participating countries from 32 to 48. I'm sure Panama and Haiti were happy to be a part of this tournament, but the difference of skill between them and the stronger countries was immense. All of this just to be able to have more matches, sell more tickets (for ridiculous prices) and run more ads. Not to even mention the 'hydration breaks' that are just commercial breaks. It's sad how this sport has utterly and completely been sold out to capitalism.
Another thing that really bothers me about football today is the attitude towards players of color in teams from traditionally white countries. In the Netherlands we have a lot of players of colour, a lot of which traces back to our own colonial history. Too many times I hear white people complain that countries like the Netherlands, England or France have been 'taken over' by people of colour. To this I have only 1 thing to say. Three of the most popular players in the Dutch national team today, Virgil van Dijk, Cody Gakpo and Memphis Depay, are often considered 'black' even though all three of them are of mixed race, having either a white mother or father. Why then are people so eager to count them as being black? The answer is that race is a construct designed by white people to keep all other people out of the club and hold on to their existing power and wealth. Instead of seeing color, we should celebrate the biracial composition of our national football team and wear them proudly like a badge of the cultural diversity of our country.
#4 - June 30th 2026 - I Love Nothing

My favourite thing to do in the world is nothing. Ever since I was a child I would look up to my retired grandparents and how their life just seemed infinitely better than mine. They could just spend every day at their own pace, doing whatever they felt like doing. When I was about 8 years old I had a pretty severe case of pneumonia and had to stay home from school for about six weeks. It was then when I escaped the matrix and realised how amazing it is to do absolutely nothing. I was free to watch morning cartoons when everyone else went to school. I experienced the silence in the house when other people went to work and school and as I recovered gradually regained the energy to focus on creative things during the day.
One of my favorite sitcoms of all time is Seinfeld, the show that takes pride in the fact that it's about nothing. Jerry, through his work as a stand up comedian, lives a life relatively out of the matrix. This nothingness allows him the freedom to observe the world around him clearer than others. And so nothing eventually always becomes something. Seinfeld is not literally about nothing. It's about the little things in life turned big. Its about placing the social glue into the spotlight.
See, I don't literally like to do nothing. I just don't like to be told what to do. To me nothing means no obligations, no production targets and no deadlines. Being free of those constraints allows my brain to wander freely, to think new thoughts and be creative. It allows me to dive deep in something that interests me on a particular day without having to turn that knowledge into something productive. Unfortunately I am in the stage of my life where obligations are rampant. I desperately long for a free afternoon to let my mind wander. Sometimes I even articifially create a free day, by postponing my work, only to have to work twice as hard the following days to catch up. For now it has been worth it. Surely this website would be a lot more barebones if I didn't slack off every now and then. On the other side, I have to admit that having obligations at certain times makes life more meaningful. Raising children is probably the hardest thing I've ever done, not because it is that hard, but because it's seemingly never ending. Still, I couldn't imagine life without my kids.
When it comes to work and studying though, I don't think I was cut out for it. I remember how much going to university drained the life out of me. When I finally graduated I swore I would never study again. I held on to that ambition for almost 10 years. Now I'm doing this work related course that took several months and I thought I was done with it, but now I got some feedback on my assignment and they want me to rewrite a bunch of things. It's moments like these when I feel the most like I just want to run away from all obligations and fucking do nothing. Why is life like this? With some exceptions, most people have the choice to either make a living and be miserable and see your life rush by without having the time to do what makes life worth living, or be unemployed, have plenty of free time but lack the funds to be able to do anything worthwhile. Maybe the take away message here is that modern life is just unfair by design. Or maybe I'm just leaning heavily into my avoidant coping right now and I'm telling myself that I want to hear.
#3 - June 16th 2026 - The Bricks and Minifigs scandal is everything wrong with the world right now.

#2 - June 4th 2026 - NHK World is my favorite propaganda channel

#1 - June 2nd 2026 - Watching Ranma 1/2 in 2026

I've been watching the original Ranma 1/2 for the first time on Tubi and the experience evokes all kinds of thoughts and emotions in me. As you might know I spent a lot of time on archived Tokyo Geocities pages over the last year and the amount of Ranma fanpages was really surprising. Maybe it suprised me because Ranma never got aired in The Netherlands, unlike Dragonball, Gundam Wing and Sailor Moon. Based on the amount of fanpages Ranma is only outnumbered (by a street length) by Sailor Moon. When I watch Ranma, to be honest, half the time I'm wondering if there is even a point to this show. The episodes are very, very slice of life. The characters seemingly don't have much of an arc and its sitcom style approach ensures that whatever lessons are learned at the end of an episode will be all but forgotten on the next one. The stories and gags are often repetitive as well.
Ranma's strength is its colourful cast of characters. There is also plenty of typical Japanese humour which I have grown to appreciate over the years. There is just something inherently funny about Ranma's dad turning into a giant panda at the most inconvenient times. There is also a painful irony in Akane not noticing Ryoga unless he turns into a cute little pig. Ranma also does a lot in terms of nostalgia for me. From the animation style, to the casual nudity, to the 'rainy summer evening' soundtrack. When I watch Ranma I can't help but feel a bit sad for a bygone era. But also, the longer you watch Ranma, the more you will find that there is character development going on. People gradually learn to accept one another, even love another and most of all, people learn to love themselves.
People like to discuss whether or not Ranma is a queer show. Author Rumiko Takahashi has always denied this, even going so far as to say that her stories are about relationships between men and women. Critics are very mixed in how they label this show. Some calling it conservative and confirming of traditional gender roles, while others point out that the show was probably as queer as mainstream media outlets would allow in late 80s Japan. The impact that Ranma 1/2 had on 90s Western queer teenagers, however, is undeniable. Ranma was the first character appearing on television that they identified with. Perhaps even the first character that allowed them to think of themselves in non-binary gender ways. I too lean toward the opinion of Ranma's queerness being unintentional, but at the same time I believe it does not matter one bit. Isn't the beauty of art that people can find meaning in it beyond the artists own intentions?
I would even go as far as to say that the unintentional queerness of Ranma is its main strength. Especially when you compare it to today's media landscape. Where studio executives try to shoe-horn gay or trans characters into shows because it would do well on test audiences. Truthfully, an openly queer anime would have bombed on mainstream TV in the 90s. Ranma's subtle, beating around the bush approach, was as good as it got. Takahashi wasn't trying to make you feel anything in particular and that is why you feel something sincere when watching this show.